[I received an electronic review copy of this book from Netgalley and Marvel Press in exchange for an honest review. All opinions are my own.]
Summary
Loki knows he doesn’t fit in in Asgard. He might be a prince, but Asgardians are warriors, not sorcerers.
Odin has a royal sorceress, Karnilla, Queen of Norns. Even though she is training an apprentice, Amora, she is officially the only magic-wielder for Odin’s court. Even Odin’s wife, Frigga, mostly kept her magic small and to herself.
In Amora, Loki found a peer. They did magic together and understood each other. (And he thought she had the most magnificent high heeled boots!) But an act of magic – desperation on Loki’s part – left a magical artifact destroyed and Amora banished to Midgard where her magic would dry up completely. And Loki was left in Asgard, without the one friend who understood him and with Odin’s constant disapproval, living in Thor’s everpresent shadow.
Years later, after a disastrous diplomatic mission, Loki himself is sent to Midgard. It’s supposed to be an important task for Odin, but Loki knows when he is being dumped somewhere. Something magical, though, is going on on Midgard, a place where there should be no magic. People are dying. This is Loki’s chance to redeem himself by helping some allies look into these deaths in 19th century London.
Review
I wanted to love this. I love the MCU version of Loki played by Tom Hiddleston. And there are some great moments early in the book where I could “hear” that Loki. It’s mostly in the interplay with Thor. But that’s lost in the second part of the book when those characters aren’t together.
Fans were promised a Loki from the comics in terms of sexuality. And it’s here. This Loki is genderfluid (although that’s mostly stated in a single line in the book). He also kisses both a male character and a female character in the book. This sexuality piece, though, wasn’t a huge part of the story, so it felt “there” rather than integrated. Readers who have strong feelings about this aspect of the character’s history will have a better take on this than me. For me, it felt tacked on, but with no emotional weight or punch.
I think antiheroes must be hard to write. A character like Loki is beloved, but he isn’t the hero. And as a young man here, part of Loki WANTS to be the hero. He wants to earn real praise from Odin. He wants the choice of successor to at least demand some thought and debate. This could have been a much stronger exploration of identity; I would have loved that. But it never went as far in that direction as I wanted.
I wanted to get to the end of the book and believe it couldn’t have worked out any other way – that Loki HAD to give in to his darker side and become the villain. But I didn’t feel the story here was compelling on that piece. There’s more “I’m a trickster, I guess I have to just lean all the way in” than circumstances that drive him there. There’s a bit of the Odin situation that didn’t leave Loki some of the options he wants, but he lets that eliminate everything else, too. I was disappointed by this. If this piece had been stronger, I would have liked the book a lot more.
The story was solid. I had plenty of questions so I kept turning pages, waiting for it all to become clear. And it did. It was more violent and gruesome in parts than I generally prefer. But none of the story grabbed me emotionally. I wasn’t in suspense or connected to any character other than Loki for the Earth-bound portions of the book. It was fine but it wasn’t fantastic. I wanted fantastic.
Fans of the character should check this out for themselves and see what they think. And readers who enjoy historical fiction might enjoy that angle on the story as well. (Violence; some language; some horror features – zombies; LGBTQ+)
