[I received an electronic review copy of this book from Netgalley and Blink in exchange for an honest review. All opinions are my own.]
Summary
Ricki is into classic horror movies, monster makeup and saving the Starlight drive-in theater with her crush, Jake.
Lana is an online/social media influencer with her makeup videos. She has an online competition with another influencer who calls herself Her Highness, and an online relationship with Erik who has his own prank show. Lana is preparing for a huge appearance at Digifest in LA.
The girls are cousins. Their Aunt May announces she is giving them a joint gift – a Buick Skylark convertible. She knows the girls have been growing apart, so she insists that they learn to share the car, hoping it will help their relationship.
Lana is convinced that if she drives the car onto the stage at Digifest, it will launch her to the next level of stardom. Ricki is certain Lana is being selfish and will try to keep the car for herself. So she refuses to give Lana the car so that she can drive it to the Starlight’s grand re-opening. As the girls physically fight over control of the car, they get shocked and everything around them goes crazy. When everything goes back to normal, they shake off the weirdness and head home. But the next day, each wakes up in her cousin’s body.
Review
This was so fun! It made me want to watch both of the Freaky Friday movies; it’s been ages since I have seen them. This was a fantastic homage to the movies while standing on its own with contemporary conflicts. At first, I was frustrated with both girls, and I didn’t like either one. But as the story developed and we saw more of the girls’ inner lives, I came to appreciate them both.
My favorite moments were when Ricki experienced Lana’s anxiety. She didn’t know what that heavy feeling was at first. Lana loved the feeling of freedom she had while living in Ricki’s body. This whole piece of the story was well-done.
I was fascinated that the author chose to have Ricki tell the whole story rather than tell this with dual perspectives. In some ways, Lana had a LOT more to process, and the reader is able to dig into that through Ricki’s perspective. I’m not sure there would have been as much story to tell from the other direction, unless the author wanted to address how Ricki felt watching her mother connect so much with Lana. The story really didn’t directly address that dynamic.
If you enjoyed Pretty in Punxsutawney, if you love Freaky Friday stories, or if you just like novels that explore identity, fame, mental health and anxiety, and changing perspectives, you should check this story out.